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Saturday, December 21, 2013

An Open Letter to my Fellow Authors from novelist Richard Russo

It’s all changing, right before our eyes. Not just publishing, but the writing life itself, our ability to make a living from authorship. Even in the best of times, which these are not, most writers have to supplement their writing incomes by teaching, or throwing up sheet-rock, or cage fighting.

It wasn’t always so, but for the last two decades I’ve lived the life most writers dream of: I write novels and stories, as well as the occasional screenplay, and every now and then I hit the road for a week or two and give talks. In short, I’m one of the blessed, and not just in terms of my occupation. My health is good, my children grown, their educations paid for.

I’m sixty-four, which sucks, but it also means that nothing that happens in publishing—for good or ill—is going to affect me nearly as much as it affects younger writers, especially those who haven’t made their names yet. Even if the e-price of my next novel is $1.99, I won’t have to go back to cage fighting.

Still, if it turns out that I’ve enjoyed the best the writing life has to offer, that those who follow, even the most brilliant, will have to settle for less, that won’t make me happy and I suspect it won’t cheer other writers who’ve been as fortunate as I. It’s these writers, in particular, that I’m addressing here.

Not everyone believes, as I do, that the writing life is endangered by the downward pressure of e-book pricing, by the relentless, ongoing erosion of copyright protection, by the scorched-earth capitalism of companies like Google and Amazon, by spineless publishers who won’t stand up to them, by the “information wants to be free” crowd who believe that art should be cheap or free and treated as a commodity, by internet search engines who are all too happy to direct people to on-line sites that sell pirated (read “stolen”) books, and even by militant librarians who see no reason why they shouldn’t be able to “lend” our e-books without restriction.

But those of us who are alarmed by these trends have a duty, I think, to defend and protect the writing life that’s been good to us, not just on behalf of younger writers who will not have our advantages if we don’t, but also on behalf of readers, whose imaginative lives will be diminished if authorship becomes untenable as a profession.

I know, I know. Some insist that there’s never been a better time to be an author. Self-publishing has democratized the process, they argue, and authors can now earn royalties of up to seventy percent, where once we had to settle for what traditional publishers told us was our share.

Anecdotal evidence is marshaled in support of this view (statistical evidence to follow). Those of us who are alarmed, we’re told, are, well, alarmists. Time will tell who’s right, but surely it can’t be a good idea for writers to stand on the sidelines while our collective fate is decided by others. Especially when we consider who those others are. Entities like Google and Apple and Amazon are rich and powerful enough to influence governments, and every day they demonstrate their willingness to wield that enormous power.

Books and authors are a tiny but not insignificant part of the larger battle being waged between these companies, a battleground that includes the movie, music, and newspaper industries. I think it’s fair to say that to a greater or lesser degree, those other industries have all gotten their [butts] kicked, just as we’re getting ours kicked now. And not just in the courts.

Somehow, we’re even losing the war for hearts and minds. When we defend copyright, we’re seen as greedy. When we justly sue, we’re seen as litigious. When we attempt to defend the physical book and stores that sell them, we’re seen as Luddites. Our altruism, when we’re able to summon it, is too often seen as self-serving.

But here’s the thing. What the Apples and Googles and Amazons and Netflixes of the world all have in common (in addition to their quest for world domination), is that they’re all starved for content, and for that they need us. Which means we have a say in all this.

Everything in the digital age may feel new and may seem to operate under new rules, but the conversation about the relationship between art and commerce is age-old, and artists must be part of it.

To that end we’d do well to speak with one voice, though it’s here we demonstrate our greatest weakness. Writers are notoriously independent cusses, hard to wrangle. We spend our mostly solitary days filling up blank pieces of paper with words. We must like it that way, or we wouldn’t do it. But while it’s pretty to think that our odd way of life will endure, there’s no guarantee. The writing life is ours to defend.

Protecting it also happens to be the mission of the Authors Guild, which I myself did not join until last year, when the light switch in my cave finally got tripped. Are you a member? If not, please consider becoming one. We’re badly outgunned and in need of reinforcements.

If the writing life has done well by you, as it has by me, here’s your chance to return the favor. Do it now, because there’s such a thing as being too late.

Richard Russo
December 2013

Richard Russo is the author of numerous novels, including Straight Man and Elsewhere, and won the Pulitzer Prize for his fabulous novel Empire Falls. This letter was forwarded to me by novelist Scott Turow, president of The Authors Guild, in order to build support for the Guild.  We at Novel Rocket believe in the role, goals, and objectives of The Author’s Guild, and I've joined. Novel Rocket encourages all authors to consider the benefits of the Guild. You can find more information and a membership application at or Tell them Novel Rocket sent you!


  1. Thank you, Richard, for using that strong voice of yours to speak out about the way the ability for writers - and others who entertain and inform - to make a living is being threatened by the mega-giants who do so because they can. I appreciate your turning the light on in my writerly cave. I will go to the Author's Guild today. If it's possible for an unpublished book author to join, I will. Thank you again for the stellar post.

  2. Amazon, Apple, and Google are always made into the boogie man. But the publishers share equal blame. The big 5 no longer develop midlist authors. That makes them the same as Amazon, Apple, and Google. There is no difference. And when small or large bookstores do not support new authors but simply try to extort money from them, it just adds to the total experience authors now face. In terms of readers, authors face a public that is less interested in the new frontiers projected by writers and more interested in having television in print. You can go to any book rating forum and see it in the statistics. It is a time where authors as a societal shaping force must regroup and look at their role in society with fresh eyes. That role may be in a large, hurried, largely nonreading (fiction or in depth written thoughts) world maybe one of finding ways to stitch widely separated grassroots readers into a larger force. Sadly, this is a skill or bit of knowledge that almost all indie authors can tell you they greatly lack and don't know where to get it from. Many people claim to sell this knowledge, but really, almost universally, they don't know either. That's because, despite all the corporate opinion shaping going on, writing is not a consumer product. Writing is a shaper of the societal mind and for it to work, that mind must be limber.


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