Get a Free Ebook

Five Inspirational Truths for Authors

Try our Video Classes

Downloadable in-depth learning, with pdf slides

Find out more about My Book Therapy

We want to help you up your writing game. If you are stuck, or just want a boost, please check us out!

Thursday, July 31, 2014

Trimming and Toning Your Manuscript

By Michael Ehret

Your manuscript is likely big-boned. I know mine is. Over the years, your MS has picked up a few extra words here and there. But that shouldn’t be a problem. All of those skinny manuscripts are airbrushed anyway.

Besides, Stephen King (not that you’re him) has written a bloated book or two—or three—and no one minds. Yegads, he even re-released an already huge popular book (The Stand) with hundreds of words his editors originally cut put back in—so there you red-penned devils!

But seriously, your book is likely overweight and if it doesn’t lower its word count it won’t be able to compete. Time to trim and tone your book.

Weight Watchers, which helps you trim and tone  your body, has four key principles that can be adapted to help you self-edit that extra verbiage from your manuscript.

Principle 1: Healthy word loss

Q. What’s healthy when it comes to word loss?

A. As trim as possible without sacrificing artistry or voice.

I think of it this way: If a word can be deleted, it gets deleted. Cut the fat. Scour your writing for:
  • Introductory phrases: “The point I’m trying to make is...”
  • Redundancies:
    1. “Josh estimated that they’d arrive in Minneapolis by roughly 4:00 p.m. in the afternoon.” (14 words) "Estimated" and "roughly" are redundant, as are "p.m." and "afternoon".
    2. “Josh estimated they’d arrive in Minneapolis by 4:00 p.m.” (9 words)
  • Wordiness:
    1. “Sarah knew that at her place of employment Jason was knee-deep in advance planning for the next year’s fundraising campaign.” (20 words)
    2. “Sarah knew her co-worker Jason was knee-deep in planning next year’s fundraiser.” (12 words)

Principle 2: Fits into your life

Any approach at trimming your manuscript must be practical and livable. That means realistic goals. You are not likely to become Ernest Hemingway (renown for being succinct) straight out of the gate. But you can set goals that will help you. Here are a few tricks:
  • That/Very: In almost every case, these words can be eliminated. Keep only the ones that add clarity or help with sentence rhythm.
  • Adverbs: Scorn them. “Adverbs are the tool of the lazy writer.” — Mark Twain
  • $$$: Pretend you are being charged a quarter for each word. If you take it seriously, you’ll start competing with yourself to pay less each time you write.

Principle 3: Informed choices

You need to learn not only how to cut your manuscript, but also why. If you know why, you gain the confidence to make the right choices for your writing. Here are some of the websites I often consult:
  1. Grammar Girl: Quick and Dirty Tips
  2. Purdue University Online Writing Lab
  3. Writer’s Digest Online
I highly recommend American Christian Fiction Writers as a place to get grounded not only in the craft of writing, but in the career of writing as well.

Principle 4: A holistic view

Finally, your approach must be comprehensive. Sustained word loss comes from practicing these and other tips.

One of the best ways to practice tight writing is in a writer’s critique group. A proper critique group will, kindly and in love, kick your writing butt until you’re in shape. They’ll remind you of what you’ve learned (and of how often you’ve had to learn it). They will hold you down and sit on you until you’ve eliminated every extra word—and will expect you to do the same to them. With chocolate.

Michael Ehret loves to play with words as a Marketing Communications Writer for CHEFS Catalog and as a freelance editor at Ehret is the former editor of the ACFW Journal and has edited several nonfiction books, proofedited for Abingdon Press, and reported for The Indianapolis Star.


  1. This comment has been removed by a blog administrator.

  2. I got lucky with 2 early crit partners, Yvonne Anderson & Eunice Matchett, who taught me to write lean. Now, my first draft of a 90K novel will be done at 75K. Then I go back and layer in the sensory details. It works for me. :)

    1. That's actually a great way to approach it Ane. But few writers are able to write lean first and add it in later. Good skill to have. Crit partners can teach us SO much.


Don't be shy. Share what's on your mind.