"As always, Gina Holmes paints vivid characters who are fraught with frailties, yet bear the hope of being something more. They are real, deeply felt, and unmistakably unique. In this novel, there is a confused bride-to-be, an insecure groom, a haughty socialite, a drunken driftwood artist and an intensely loyal bathing-suit-top-wearing artist's assistant. They are authentic, lovable and even aggravating at times--just like family. And yet they have the capability, with the help of a loving Father-God, to become more than the sum of their parts. They can be what God created them to be.
I love the metaphor of the driftwood artist. It is what God is to us. He can take old scraps of wood, beaten and worn, and turn them into something useful and beautiful. This story is about imperfection and brokenness, and how even the ugliest of elements can be repurposed for His Glory."
- Review date: 8/8/14, written by Connie Almony of Jesusfreakhideout.com
When Holton lost his wife, Adele, in a freak accident, he shut himself off from the world, living a life of seclusion, making drifwood sculptures and drowning his pain in gin. Until twenty-three-year-old Libby knocks on his door, asking for a job and claiming to be a friend of his late wife. When he discovers Libby is actually his late wife’s illegitimate daughter, given up for adoption without his knowledge, his life is turned upside down as he struggles to accept that the wife he’d given saint status to was not the woman he thought he knew.
Together Holton and Libby form an unlikely bond as the two struggle to learn the identity of Libby’s father and the truth about Adele, themselves, and each other.