By Michael Ehret
|Are you over-inflating your writing?|
Why would authors, whose names you’d recognize if I named them, engage in this practice? After all, they’re already good enough that they don’t need the extra words to compete on the literary playing field.
What is their the motivation? Is it an inherent wordiness? A lust for the written word? A case of bibliophiles gone mad?
Or is it more? Is it just part of the process?
They are trying to write tight and edit even tighter. It's called self-editing. However, because of all the research, planning, plotting, exploring, and experimenting we writers like to do, we tend to think everything has to make it in the book. But that defeats tight writing.
|All of these things can help cause inflation|
Tight writing wins contests, agents, contracts, readers, and awards. Tight writing rocks.
Know word definitionsRedundancy is a big problem for many trying to write tight. Can you spot the redundancies in this sentence?
- Mandy was absolutely certain her advance planning would pay off when she got to the final conclusion of her first fiction novel. (22 words)
- Mandy was
absolutelycertain her advanceplanning would pay off when she got to the finalconclusion of her first fictionnovel. (18 words)
There is no doubt in certainty, so it is already absolute. All planning is done in advance; by definition it can’t be done in the past. Unless you’re filming The Lord of the Rings: The Return of the King when you come to the conclusion, you’ve reached the end. All novels are fiction. There are no nonfiction novels.
Inflation is subtleUnlike deflated footballs, which was almost certainly done on purpose by someone, over the course of a book it is easy to unintentionally inflate your word count. This example isn't egregious, but imagine how many words you can save over the course of a book?
- Before the conference, Jim created a summary of his story. (10 words)
- Before the conference, Jim summarized his story. (7 words)
Help from the expertsI asked several author and editor friends for their top of mind tips to help writers with “Inflate-gate.” Here are tips from those who’ve been there and will be there again—just like you. I actually received more than 30 suggestions, but I'm trying to write tight.
Kimberley G. Graham
“To trim the fat, delete the ‘that’.”
Pamela S. MeyersPam is a member of another critique group I’m part of, Penwrights, and the author of Love Finds You in Lake Geneva, Wisconsin.
“One method a friend shared with me when I had to cut down my word count was to divide the number of the current word count by the number of pages in the manuscript. That is the amount of words needing to be cut on each page to make the desired number. It really helps when you see it’s only seven words a page or whatever. Makes it less overwhelming and more doable.”
What I like about this tip is that it’s not a writing tip, per se, but an execution tip. Self-editing can be intimidating. Tips like this help, too.
Michelle GriepMichelle is another Penwrights member of renown and the author of Brentwood’s Ward.
“Get rid of stupid, unnecessary words like ‘like, really, that,’ etc. And don’t use so many adjectives like ‘stupid’ and ‘unnecessary’. Nouns and verbs are where it’s at, baby.”
Dori HarrellDori is a member of the Christian Proofreaders and Editors Network and the proprietor of Breakout Editing.
“Delete all those unnecessary tags we authors seem to insert like ‘to himself,’ as in ‘he thought to himself.’”
Margot StarbuckAnother member of the Christian PEN and the proprietor of Wordmelon Literary Consulting.
“If it can be cut, and still retain the essential meaning, cut it. If it feels too difficult, consider highlighting the extraneous text in grey, and reading through what remains. If it's stronger (Hint: It will be), then delete the grey!”
That pretty much sums it up. Do you have other tips that you like? Share! Through sharing we all get better.
Michael Ehret loves to play with words as a Marketing Communications Writer for CHEFS Catalog and as a freelance editor at WritingOnTheFineLine.com. Ehret is the former editor of the ACFW Journal and has edited several nonfiction books, proofedited for Abingdon Press, and reported for The Indianapolis Star.